Showing posts with label short. Show all posts
Showing posts with label short. Show all posts

Thursday, 9 June 2011

Caution WetPaint - UK Premiere!



Jay and Kay Save the World gets its UK premiere in August at the Deep Fried Film Festival:

Venue and Guide for CWP at the Deep Fried Festival.

I, El Director, will be there in Coatbridge for the night to watch the film and to see how our first UK audience reacts to and hopefully loves our film!

So join me, at the Deep Fried Film Festival, Thursday 18th August at 8pm.

Venue: Conforti Institute, Calder Avenue, Coatbridge. Nearest Rail, Whifflet (trains every half hour from Glasgow Central).

Friday, 10 September 2010

Charlie's Holiday - The Best of Busho (1)



The Budapest Short Film Festival - BUSHO. When I got that e-mail way back in July, I was ecstatic. This was Jay and Kay's first film festival. My little guys, plus those two Milk Bottles were getting their outing on the big screen. And their first international jaunt...

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Budapest. The big bad city on the Danube. A city steeped in history, and more recently, intrigue as it was behind the Iron Curtain for so long. But like much of Central Europe, Hungary has emerged from Communism, has joined the EU and is now only a cheap flight away for us Brits. So why have I never made a beeline to this wonderful city until now? After all, I am a great traveler, not needing much of an excuse to head off somewhere, anywhere. And to be honest, I had a great time in Budapest. Six days in total spent here, far too short a time, especially as I was enjoying so many movies, but, ah, what the heck! New EU here I come! I will be describing this city in the upcoming days, and here is a taster of what is to come:

Budapest in all its glory, straddling the mighty Danube



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But let us return to the festival. Screened at the Vorosmarty Cinema, right in the centre of town, what a location! What a venue! For a film maker such as myself, this was a venue and a half. But frightening as well. You see, I made a comedy, and laughs are a tricky thing to export. Will it work or not, will the audience love it or will they snore through it all? And the worse thing was that my film was to be screened on the penultimate day of the festival. On the big screen, with those big speakers highlighting every sound snippet I made in post production. Ouch!



But BUSHO had more than films. We film makers were put together, in touching distance of each other. We were also spoilt. In the morning we had guided tours of the city, trips to some of the highlights of Budapest. By night we had an insight into the underground music scene of the city. Hey, by the end of the week, I could have passed for a gu who had lived there for months rather than days, such was the knowledge imparted to me by the festival organisers. And there was one very important event organised by the festival. The Jury Consultation!



Now, this was an interesting premise. Let me go from the beginning for those unfamiliar with the whole festival system. Most film festivals have prizes awarded to films. A jury, a group of people chosen by the festival organisers, usually with a link to the artistic/cinematic world, deliberates the best films to be awarded. There is usually an audience prize as well.

Now the jury usually makes their decisions in private. Same here at BUSHO, those decisions would be made in private but, their thought processes would be laid out in public. Deliberation Time, when there would be a chat between the film makers whose films had been screened that day and the jury who had sat through each screening. They had 85 short films to watch and at the end of the week, had to decide whom to award the festival's prizes to. This would give the film makers present, a unique insight into what the jurors, and in a wider sense, what film festivals are looking for. After all, for someone like me, unschooled in the art of film making, this was a golden opportunity to seize.

Plus, I would be able to take advantage of watching so many great films on screen. Seeing how short film is evolving, where it is going and what film festivals are looking for in terms of subject matter and quality. Believe it or not, I managed to catch 79 of those 85 films and so had a good idea, as an audience member, what films I did and did not like. But for me, it was not all movies, movies, movies. There was also quite a bit of sightseeing to take in as well. And as you can see, I enjoyed myself a fair bit in this fair city!



(to be continued tomorrow...)

Tuesday, 7 September 2010

Jay and Kay Save Budapest...

Now the festival is over, the party has finished, and the film makers from across Europe head off home to a life a little more ordinary, but a lot more fulfilled.

More importantly, what did Hungary think of Jay and Kay?

What did they think of the milk?



The most terrifying thing for a film maker is to not get a reaction from an audience. And comedy - well, there is only one reaction you are looking for, and if it is not received then you hang your head in shame...



But they loved it! A packed cinema, and here is something that was great for the lot of us. The only film where the audience clapped - really clapped at the end of the credits. And trust me, I saw virtually every film screened and the audience was in stitches. From beginning, threough the cartoons and right at the end with Captain Goldtop's laugh. We entertained.

Damn straight. Who ever said milk was good for you?

Tuesday, 31 August 2010

I'm off, again - to save the world...



That's it, old faithful - this backpack has taken my belongings round the world a few times and has done me proud. Back in the day, before 9/11 when it was possible to take penknives and shampoo in your hand luggage, I traveled much lighter. But as I now need these essentials with me, I dump this sack of crap in the hold and head off to the cabin with a morsel of hand baggage. Plus now, being part of the jet set group, I actually take a lap top with me.

Will I be online? Probably not. Personally, I love the privacy of being on holiday, even though this is very much a working vacation. If I can get a hold of some Wi-Fi, I may send a posting, but other than that, I am off to join Jay and Kay and Save the World at the Budapest Short Film Festival!

When I get back, I will have travel tales to fill this blog out for a month. Then, of course, I will need a new place to venture too...

And so it has been one hell of a journey from:



to:



but I have loved every step of the way, while shedding a few tears, they are now long forgotten. If in town join us in Budapest for some fun in one of Europe's most beautiful cities along with plenty of milk! Toodles, El D.

Time: Friday September 3rd at 2:15pm and Saturday 4th September at 1:15pm.

Venue: The VÖRÖSMARTY MOZI Cinema, 1075 Budapest, Üllői út 4, Hungary. Nearest tram/metro - Kalvin ter Metro.

Saturday, 21 August 2010

At the Movies with Caution Wet Paint!

12 months ago I finished the editing of Jay and Kay Save the World and we have gone from this:



to our first public screenuings of the world's greatest (and wackiest) short film!

Now I am ready for Caution Wet Paint's premiere at the Strasbourg International Film Festival on Wednesday, plus next week's fun at the Budapest Short Film Festival. It has been two years since the last public airing of the paint and many things have changed since then. However, it validates the hard work ad dedication from all that were involved with the making of the film.

I still have to pack my bags, but at least cash wise, I am all sorted out. Someone's going on holiday!

(I will be keeping you all updated while I am in France and Hungary, when I get the chance to access the web).

Toodles!

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WORLD PREMIERE OF CAUTION WET PAINT: Wednesday 25th August 2010, 7pm

VENUE: L'artichaut ~ 56, Grand' Rue, 67000 Strasbourg. Be there of be very square...

Saturday, 3 July 2010

Good News Everyone!



Jay and Kay Save the World has got into a film festival! And this is my first international one, in Hungary, at the Budapest Short Film Festival. Originally I was planning a quick trip to India this September, but that has now been superseded. And seeing that I have never visited Hungary in my life, I think now is as good a time as any to pop the cherry and head to this magnificent city to have fun, love The Paint and generally frolic around!

It has been one hell of a battle to get into the festivals this year, so I am ecstatic that we are premiering CWP in such a beautiful location. Budapest is truly one of the more magnificent parts of Europe and as I have never been to this part of the world before it give the traveler in me a great chance to explore a new part of the world...

BUSHO - from the 1st-5th September.

Thursday, 19 November 2009

Turnaround Time

Film Festivals take a long time to respond to your submission. Not surprising, a festival with say, 50 slots to fill may well get ten times that number pouring in through their letterbox. For one film festival that I have submitted to yesterday afternoon, I will not hear from them until July next year. That is over nine months and to put that into context, you can conceive and bear a healthy child in that amount of time.

The wait is agonising, but it is important not to loose focus and to still distribute. It is also why many films at these festivals have copyrights that are one or two years old. These events are big thing, show a lot of films and take time to organise.

Which still leaves me twiddling my proverbial thumbs. Or am I?

Monday, 26 October 2009

Silvertop!

A simple one this week, and following on from the last week's issue, we take a look at the second protagonist from 'Jay and Kay Save the World', Lieutenant Silvertop, the 'ying' to Goldtop's 'yang'.



So take a little look at the fun that Silvertop gets upto!

Silvertop

Thursday, 22 October 2009

Watching...

This week has been a busy week in terms of sending of the film to five festivals. It is a pretty laborious affair, each festival having slightly differing entry requirements. Some want one DVD, others want two copies, some want an E-Pack, some want paper based materials. All in all, there are a lot of hoops to jump through. Some have fees to pay, others are free, but always I need to register the post due to the ongoing postal strikes. And then comes the testing of the DVD's. It is important to sit down and watch the DVD's to see that they play properly.

This time, instead of doing other things while the DVD was running in the background, I actually sat down to watch the DVD of 'Jay and Kay Save the World'. It has been a while since I have actually watched the short film - really watched it. And you know what, I really enjoyed it. It is surprising, but seeing the film through rested eyes, I actually remember why I love CWP so much! Let's get into some film festivals now...

Saturday, 12 September 2009

El Cycle is dead

El Director is sad today. My bicycle has broken. Damn.

Tuesday, 30 June 2009

The Trailer

Usually, when I, El Director edits, I cut a trailer first, then get down to the cutting of the main portion of the film. However, with 'Jay and Kay Save the World' I got straight down to the business of editing as soon as the film was finished in March. After three months, the film was completed, and suddenly I realised that I had to cut a trailer for the short...so I duly oblige ;)

Monday, 20 April 2009

The Out Takes (1)

Oh the joy of it! As a director, editing madly through the reels of footage from 'Jay and Kay Save the World' I have the pick of the fluff-ups, the lines gone wrong, the accidents that were not life threatening and the crew acting like the dons that they are! There will be plenty more out takes as I sift through the chaff in order to get to the milky goodness of a short film, but for now, here is the first vid in the batch!

Thursday, 12 March 2009

Crew Rehearsals

There is a method to my madness. Or so I like to keep convincing my cast and crew. Well, that is my rationale behind what I do for CWP.

One of those moments of madness came in the script I wrote. It called for an upside down Union Jack to be unfurled behind Jay during the short film Jay and Kay save the World.

Now, when I wrote this, I thought this would be a funny thing to put into the background. As the time came nearer for shooting, I actually spent minutes lying awake in bed trying to figure, firstly, how to procure a flag and secondly, how to actually get the thing to unfurl.

Well, thankfully I know someone who owns a few Union Jacks. But the second, well, that was a bit trickier.

Well, I managed to figure it out. And you can see the result here:



(By the by, I quite like the new ident at the end)

Tuesday, 10 March 2009

The beginnings of a great dance...

A tongue in cheek look at what we got upto over the weekend.

(Trying so hard not to give away the story...)

View the milky fun here!

Wednesday, 25 February 2009

Pre 4: Rewrite the Script

My joy at all film making comes from the script writing. Getting at the script and hacking out a piece of flesh worthy of shooting upon. The script is the most important part a film. The storyboard is the guide, but the script is the blueprint. It is what launches a film and without a script then there is nothing to bother the film maker, actors or crew with.

A good script allows not only the film maker to visualise, but also inspires the musicians, the players on screen and the guys behind the camera.

Rewrites are important. The first draft is often an excited rendition of my mind's eye. So the rewrite is the clear crystal look at the script. Is it as good as I first thought (50-50 chance), how are the spelling and grammar of the script (my weak point), how cluttered is the dialogue (another fault of mine).

Once the rewrite is done, the script gets leaner, more punchy. When I first write something, the sheer telling of a story becomes important. But on the rewrites, it is the visualisation of the story that becomes the key. Telling the story not through words but through images. And that is why the rewrite is so important.

And yes, even a short film such as Jay and Kay save the World is rewritten. Especially in a short film, where every second counts, rewrites are essential in order to keep the audience transfixed on what I am trying to tell them. In a short film, you only get one shot at the audience...

Monday, 16 February 2009

Working with 'Da Crew'

Yesterday's blog from Debra reveals a little of how many people are involved, even on a short film production.

Interestingly, I have worked with Debra for longer than any other person with regards to films. We started working together when I was just beginning to make films in 2004 and since then she has worked on almost every major production I have done, including the very first Caution Wet Paint which subsequently garnered my first taste of the film festival pie.

As a director, it is great to find people you get along with in a creative sense. It is also good to have people that think on the same wavelength as yourself. Having a good crew is essential to this. A good crew can read my mind, allow at me to shout at them and cover up for my mistakes. The crew are the silent sweethearts of the set. They do not appear on the screen, they do not get the inches of press dedicated to them, yet they are essential to the production of any film, big or small.

At the moment I am in the pre-production stage of the new Caution Wet Paint short. That means, meeting up with a lot of people. While I meet up with the cast and have regular chats with my El Maestro, I also meet up with the crew.

The crew know what their job is, but they are there to see the script, go over the storyboard and essentially familiarise themselves with what to do. Most things happen on the day, but a clued up crew knows exactly what to do and gets on with the job.

Expect to see more from both sides of the camera on this blog in the next few months...

Thursday, 2 October 2008

99 and a Half...

It as been a mini-dilemma. At the moment, I see that we have 99 videos on our Youtube Channel and I have been racking my brains about what should be the 100th episode? At the moment, I was waiting to see if someone else would jump in, but it looks like I will fill the gap wth the century.

And expect a webisode tomorrow...sometime...it will be, funky...